Secondary Bibliography

Bennet, J. 2007. “Representations of Power in Mycenaean Pylos: Script, Orality, Iconography,” in: ΣΤΕΦΑΝΟΣ ΑΡΙΣΤΕΙΟΣ. Archäologische Forschungen zwischen Nil und Istros. Festschrift für Stefan Hiller zum 65, pp. 11-22.

Bouloti, T. 2016. “A “Knot”-Bearing (?) Minoan Genius from Pylos. Contribution to the Cloth/Clothing Offering Imagery of the Aegean Late Bronze Age,” in: METAPHYSIS, pp. 505-510.

Brecoulaki, H. et al. 2008. “An Archer from the Palace of Nestor: A New Wall Painting Fragment in the Chora Museum,” Hesperia 77, pp. 363-397.

Brecoulaki, H. et al. 2012. “Characterization of organic media in the wall-paintings of the ‘Palace of Nestor’ at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age,” JAS 39, pp. 2866-2876.

Brecoulaki, H. 2014. “’Precious Colours’ in Ancient Greek Polychromy and Painting: Material Aspects and Symbolic Values,” RA 1/2014, pp. 3-35.

Brecoulaki, H., et al. (eds). 2015. Mycenaean Wall Painting in Context, Athens.

Brecoulaki, H., S. R. Stocker, J. L. Davis, and E. C. Egan. 2015. “An Unprecedented Naval Scene from Pylos: First Considerations,” in: Mycenaean Wall Painting in Context, pp. 261-291.

Chapin, A. P. 2005. “The Fresco with Multi-Colored Rocks and Olive Branches from the Northwest Slope Plaster Dump at Pylos re-examined,” in: Aegean Wall Painting: A Tribute to Mark Cameron, pp. 123-130.

Chapin, A. P. 2016. “Mycenaean Mythologies in the Making: the Frescoes of Pylos Hall 64 and the Mycenae Megaron,” In: METAPHYSIS: Myth, Ritual, and Symbolism in the Aegean Bronze Age, pp. 459-466.

Cosmopoulos, M. 2015. “A Group of New Mycenaean Frescoes from Iklaina, Pylos,” in: Mycenaean Wall Painting in Context, pp. 249-259.

Davis, J. L. and J. Bennet. 1999. “Making Mycenaeans: Warfare, Territorial Expansion, and Representations of the Other in the Pylian Kingdom,” in: POLEMOS: le contexte guerrier en Égée à l'Âge du Bronze (Aegaeum 19), pp. 105-119.

Egan, E. C. and H. Brecoulaki. 2015. “Marine Iconography at the Palace of Nestor and the Emblematic Use of the Argonaut,” in: Mycenaean Wall Painting in Context, pp. 292-313.

Egan, E. C. 2016. “Textile and Stone Patterns in the Painted Floors of the Mycenaean Palaces,” in Woven Threads: Patterned Textiles of the Aegean Bronze Age, pp. 131-147.

Egan, E. C. 2020. “Standardization vs. Individualization in the Pylian Painted Argonaut,” Journal of Mediterranean Archaeology and Heritage Studies 8.3-4, pp. 379-388.

Egan, E. C. 2021. “Early Mycenaean Wall Paintings from the Palace of Nestor,” in: (Social) Place and Space in Early Mycenaean Greece: International Discussions in Mycenaean Archaeology, October 5-8, 2016, pp. 185-192

Shaw, M. C. 2010. “A Fresco of a Textile Pattern at Pylos: The Importation of a Minoan Artistic Technique,” BSA Supplement 18, pp. 315-320.

Shaw, M. C. 2012. “Shields Made of Cloth? Interpreting a Wall Painting in the Mycenaean Palace at Pylos,” in: KOSMOS, pp. 731-737.